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Promotion for my Book on Indian Imagery in Nazi Ideology Begins

Berghahn Books has recently begun its promotion for my forthcoming monograph Fellow Tribesmen which analyzes how the German enthusiasm  for Native Americans interrelated with German national identity formation throughout the 19th century and, eventually, was appropriated for Nazi propaganda. The book will be out in July 2015.

I’ll post updates on the production and advertizing process as they come in.

 

Lecture in Tübingen and an “Indian Bridge”

I went to Tübingen on 6-7 May to hold a guest lecture on Wild West shows in Europe. Tübingen, a small town near Stuttgart in the region of Swabia in Southwest Germany, is one of the reputable traditional university towns. As Leipzig is proud of Goethe’s time as a student at its university (most of which he apparently spent partying), Tübingen is proud to have many German Romanticists, such as Hölderlin and Hauff, as well es the philosopher Hegel, among its former faculty, students, and residents.

The lecture on Wild West Shows addressed several aspects of German perceptions of Native Americans (and vice versa) that I explored in my dissertation, such as German impresarios’, newspaper reporters’, and the audiences’ expectations and reception of Native American show performers, but also a perspective on the Native experience and motivation to join these shows.  My presentation was integrated in Prof. Astrid Franke’s lecture on “Issues in American Literary and Cultural History from the Civil War to the First World War” and was videotaped. I will post a link to the video as soon as it is published. It was a great opportunity to return to my general research interest in German/European representations of Native America. I will probably post more entries in the future to discuss anecdotes and examples of Indian imagery popping up in German history and current everyday life.

Whenever I come to a new town, I like to walk around to get a feeling how it is laid out: what are the distances and major landmarks, how do these landmarks look from different perspectives and how does the structure of the town relate to them (e.g. in the line of view). It is always exciting to see the “underside” and subcultural aspects of a place as well, so I look for graffiti, stickers on lamp posts, and posters, no matter if they advertise festivals, political events, or garage sales. I will take some time in future entries to post pictures of signs from different places I came across and found remarkable.

 “Walking the map” of Tübingen, I happened upon a little bridge, called the “Indianersteg” (Indian’s Footbridge). It’s simply a small pedestrian bridge connecting the southern part of town with an oblong island that parts the Neckar river across from the old town and is laid out as a park.

source: http://www.tuepedia.de/index.php/Indianersteg

Tübingen’s official wiki states that the name comes from children playing Indians at this bridge. The title’s first occurrence in official records is from a 1871 report on an accident. This fits nicely into my presentation topic: Discussing ethnographic exhibitions (Völkerschauen) and Wild West shows, I explained that, although “Indianthusiasm” as a phenomenon developed since c. 1800, these shows helped turn it into a feature of popular mass culture during the 1870s and 1880s. The fact that children met at this bridge to play Indians in the 1860s and early 1870s tells us that this cultural practice was already widespread at a time when the popularity and high frequency of these shows as just starting, several years before Buffalo Bill first toured Germany (1890) and Karl May published his first Winnetou novel (1893).

EAAS Biennial Conference on “America: Justice, Conflict, War” at The Hague

Between 3 and 6 April 2014, the European Association for American Studies held its biennial conference at The Hague. I was surprised to see so many conferences on war in so many different disciplines over the last few years. This cannot simply be related to this year’s Great War anniversary, but is probably also because the recent wars in Iraq and Afghanistan have either officially ended or “Western” engagement draws to a close. In addition, the outbreaks of these wars are more than ten years in the past now which has given scholars a bit of time to reflect and connect the dots.

I went to The Hague because I co-chaired a workshop on “War Narratives and Web 2.0: Justification, Storytelling and Public Discourse” with my Danish colleague Morten Braender. We developed this workshop out of observations that, in recent years, a number of European scholars have reflected on the steep rise of war narratives in the new media from various methodological angles. We brought these different approaches into dialog and opened the topic to scrutiny for a variety of disciplines relevant for American studies within both the humanities and the social sciences. Our presenters’ academic backgrounds illustrated these different angles: Johanna Roering’s work centers on media research, Morten Brænder is a political scientist, Mikkel Bruun Zangenberg teaches comparative literature, and my own work uses historical, anthropological, and cultural studies approaches. These presentations supplement were mutually supportive in addressing the common theme of public discourse by deployed soldiers in online media.

The point of departure for Johanna Roering’s presentation was the shared experience of researchers within this field that studying web 2.0 technology is studying a moving object, and that scholarly conclusions about, say, early blogs from 2003 are likely to be outdated already because of the fast pace of changing information technology and corresponding cultural practices. By drawing on Henry Jenkins’s concept of ‘converging cultures,’ she demonstrated, however, that the challenges of studying the how the representation of a single person’s identity is articulated in different media (from blogs to tweets to YouTube vlogs) can be turned into an analytical advantage. Roering also explained the technological specifics and media-related aspects of a military blog, which constituted a common ground for all participants and thus further contextualized the field of research for the following presentations.

Morten Brænder’s talk centered on how blogs can be used in the social sciences as a source to explore different justificatory practices. He employed the concept of “sacrificial ideology” (Hubert and Mauss (1929); Girard, Violence and the Sacred, 1979) and distinguished between the sacrifice’s ‘explicit function’ (the justification itself), and its ‘implicit function’ (to show that something is perceived as worth dying for). He argued that the explicit function of sacrifice can only be maintained as long as its implicit function is not articulated. Drawing on this conceptual framework, Braender compared how two bloggers from the same American unit in Iraq perceived the deaths of three of their colleagues in an incident on 8 February 2008 and thus, how milbloggers discuss and and make meaning of death.

Mikkel Bruun Zangenberg’s presentation also emphasized the importance of justifying military action in blogs. His approach addressed that any justificatory practice articulates a particular view on justice, a view that does not cover what justice is in a genuine ethical perspective. Hence, Zangenberg illustrated in his reading of a blog featured in the New York Times how the blogger justified the war in Iraq but, at the same time, ignored the question of the civilian costs of the war by unequivocally focusing on the higher purpose of fighting terrorism.

My own contribution explored the cultural work and the therapeutic potential of milblogs by comparing them to Native American ceremonial narrative practices of re-integrating war veterans into their communities. Many Native vets employ their war experience in their continuing reciprocal relationship with their communities. Similarly, the interaction between bloggers and their audience negotiates the social contract between soldiers and civil society and thus facilitates an interpretation of war experience as an asset for the community.

The discussion following the presentations addressed Army censorship of online communication, identity construction in online narratives, reliability and source value in regard to the authors’ narratives and audience responses, blank spots and (mis-)representation in online communication, as well as notions of ritual and symbolism in online narratives.

The conference organizers announced that they requested short reports from all workshops and will publish them on the conference website – if you are interested in the many other presentations on such topics as war and food, women at war, human rights, international law, representations of trauma etc., please check back visit either http://www.eaas2014.org or http://www.eaas.eu/conferences. I am curious about information from all the panels I missed myself.