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My second monograph, titled Ceremonial Storytelling: Ritual and Narrative in Post-9/11 US Wars, has been out since early 2019. A few days ago, the term of copyright restrictions has run out and, under the “green rule” of open access publishing, the book can now be accessed online and free of charge.
The book can be downloaded here:
Here is a quick abstract from the back cover:
“US society has controversially debated civil-military relationships and war trauma since the Vietnam War. Civic activists today promote Indigenous warrior traditions as role models for non-Native veteran reintegration and health care. They particularly stress the role of ritual and narrative for civil-military negotiations of war experience and for trauma therapy. Applying a cultural-comparative lens, this book reads non-Native soldiers’ and veterans’ life writing from post-9/11 wars as «ceremonial storytelling.» It analyzes activist academic texts, «milblogs» written in the war zone, as well as «homecoming scenarios.» Soldiers’ and veterans’ interactions with civilians constitute jointly constructed, narrative civic rituals that discuss the meaning of war experience and homecoming.”
The work largely follows a cultural-studies approach with forays into Indigenous studies, (new) media studies, and psychology, as well as tying in aspects of various fields of history. As such, it also reflects on the role of digital media for future historical research.
The book is organized into four major chapters: “Narrating War: Activist Discourse and Cultural Comparison” observes how segments of the US public, particularly veterans-affairs activists and mental health specialists, discuss veteran reintegration and war trauma from a community-oriented perspective, arguing that US society should learn from close-knit communities, to provide social support for veterans and trauma survivors. They often cite Native American military traditions, especially the fact that contemporary Indigenous veterans seem to have a better chance to cope with PTSD when undergoing traditional war-related ceremonies in their communities.
The following chapter, “Milblogs as Rituals: War, Citizenship, and the Sacred“, investigates how blogs written by non-Native soldiers from the combat zone can be understood as contemporary (secular) war rituals. It argues that the blogs’ audience actively participates to the blogs and, thus, that the sequencing of posts and comments denotes a civic ritual of discussing war experience in a public forum.
In the chapter “Beyond the Call of Duty: War Experience, Relationship-Building, and Community Service,” I argue that milbloggers understand their writing as an additional form of service to their communities (e.g., how-to advice for fellow and future soldiers, or a notion of “what it’s like out there” for civilians). The chapter discusses how such a sense of service can work as ‘help to help yourself’ and can therefore be seen as a form of working through, possibly even overcoming, traumatic experience.
The final chapter, “Singing their ‘Song’: Veterans, Civilians, and the Trials of Homecoming,” asks how veterans deal with war experience after their return. Only a few of the many soldiers who blogged from deployment continue to blog once back home. This chapter, therefore, looks into other forms of narrative self-expression, such as creative writing workshops, veteran lecture projects, documentaries, and theater. This chapter also goes beyond the many references to Native American war-related traditions that are currently used by activists and psychologists, and includes the popular references to classical Greek tragedy. Many of these ancient texts were written and performed by war veterans and detail the challenges of returning home from war. Reference to these classics has been a popular form of civic engagement and professional health care regarding veterans.
This year’s annual meeting of the German Association for American Studies had popular culture as its central theme. At the opening, speakers pointed to the apparent disconnect between the strong tradition of popular-culture scholarship in German American studies and the fact that, until this year’s 66th meeting, popular culture had never been the central theme.
My colleagues Katharina Gerund and Mareike Spychala invited me to speak in the panel “Images of War: Popular Culture as Militainment.” The panel was a good opportunity to get together with colleagues in the field of military life writing and military culture research. In German American studies, quite a few thesis projects addressed topics such as post-9/11 war memoirs, fiction, milblogs, or focused on aspects such as gender in first-person war narratives. More projects are currently underway.
Inspired by discussions on the proliferation of loaded terms such as “warrior” at earlier GAAS meetings, I drew on research for my recently published book to take a closer look at terminology and concepts. I presented examples from military parlance and institutions (e.g. the Soldier’s Creed, Warrior Transition Units), self-help books, and civic activism, where the term “warrior” has been fashionable since the early 2000s.
Although usage of the term “warrior” for US military personnel seems ubiquitous, diverse protagonists argue against its use and insist on calling military personnel “soldiers.” I cited a few examples of criticism from folks who believe that an association with “warriors” and warrior culture diminishes the emphasis on professionalism in the US military. These arguments, however, often employ an ethnocentric, ahistoric, sometimes even racist understanding of “warriors” in that historical warriors are portrayed as undisciplined, bloodthirsty glory hounds. This notion goes hand in glove with the popular understanding and usage of “tribal,” i.e. the notion that a ‘tribal’ group derives its identity from hatred and the resulting violence against any and all outsiders. Historical examples for such negative portrayals of ‘warriors’ are often ancient Greeks, medieval knights, or Indigenous groups.
In contrast, a lot of the activist scholarship and non-fiction I analyzed for Ceremonial Storytelling frequently refers to Native American warrior traditions and, thus, employs a positivist representation of ‘warriors,’ mainly through the perspective of social relationships. I discussed examples such as Sebastian Junger’s Tribe and Edward Tick’s Warrior’s Return to argue that these social activists see psychological war injury and veterans’ reintegration problems as signs of a social crisis in US society, rather than as mere individual afflictions. They seek inspiration and role models from the social responsibilities between Indigenous warriors and their communities (and are sometimes dismissed as “primitivism fantas[ies]” for that reason). Applying a social perspective to the concept of the warrior, these activist scholars and writers hope to develop civic ceremonies, such as town hall meetings with veterans and civilians on Memorial Day, to mend civil-military relationships and to promote veteran reintegration. In their understanding, a warrior is not a bloodthirsty individualist, but someone who sacrifices personal interest for the benefit of the group, and they call upon US civil society to acknowledge its responsibility for soldiers in return.
My fellow panelists presented work on the “metonymic war veteran” in cultural expressions such as Black Panther (David F. Eisler), on the soldier group as a symbol for US society in combat films such as Air Force and Full Metal Jacket (Martin Holtz), on the depiction of child soldiers in graphic novels (Tatiana Prorokova), and on the representations of violence and diversity in the children’s TV show Liberty’s Kids on PBS (Carsten Junker).
A few days ago on 3rd December, I have held my last lecture on this trip. While the earlier lectures discussed my work on German perceptions of Native American cultures and promoted the forthcoming book, this talk presented some of my current work on deployed soldiers’ milblogs. This guest lecture was hosted by University of Nebraska, Omaha’s English Department and the Office of Military and Veteran services.
I met Dr. Charles Johanningsmeier, who invited me to Omaha, during his Fulbright year at American Studies Leipzig in 2007. Since then, we have kept in close contact and frequently worked together. Omaha is very dear to me, for the friends and colleagues I know here but also because this is where I held my first lecture when my dissertation project took shape in 2007.
Last week’s lecture provided an overview of the interdisciplinary methodology of the project and contextualized Native American military traditions before launching into a close reading of an American soldier’s milblog from Afghanistan. I pointed out different elements of ceremonial storytelling in the interaction between deployed soldiers and civilian audience. Some of these textual elements led back to the presentation on “tribute and memorial posts” I held at the 2014 ASA convention in Los Angeles. Similar to my reflections on the longue dureé in Indianthusiasm for teaching due to the lectures on Nazis and the GDR that I held over the course of only one weekend in Oklahoma in late October, this lecture helped me approach the topic of death and mourning in milblogs from different angles, discuss it with a diverse audience, and thus extend the scope of my work from the ASA presentation in early November. This widened perspective will help me tackle another chapter of the blog project in the coming year.
Apart from the academic values gained from this final lecture, it was fascinating to observe the environment in which the event took place. The lecture was held at UNO’s Community Engagement Center, a brand-new building dedicated to community outreach. The audience was thus both “gown” and “town,” comprised of students of both English and Native studies courses, veterans, and members of the Omaha community. As my colleagues told me, UNO was recently rated the best four-year college in veteran services by the Military Times. It was thus particularly interesting to observe and discuss veterans’ affairs at this institution. This also brought back discussions and observations from last year’s conferences at UC Santa Barbara and Copenhagen where many discussions and presentations centered around the question of college veteran services, student veterans, and the role of the humanities in veteran reintegration.
Similar questions recurred during the last few days when I met with colleagues and representatives of veteran groups, such as The Mission Continues. The Mission Continues has recently become one of the best-known veteran support groups. They focus on community service and volunteerism as its founders have realized that many veterans are eager to continue serving and that volunteerism, i.e., helping others, helps veterans to help themselves in their efforts to reintegrate into civil society. I became interested in groups like TMC when looking at the warrior philosophy of Native American military traditions and their strong focus on ceremonialism, community relationships, and mutual aid. Native studies scholars argue that “warriorhood” is anchored in perpetual community relationships, while “soldiering” in the ‘Western’ sense is more perceived as playing a social role. The community engagement of The Mission Continues reminds me of relationships in changing tasks (from fighting to, say, charity or care-giving) known from native warrior philosophy.
Since both Native scholars and military psychologists have argued that ceremonialism and community relationships might support the reintegration of non-Native veterans and could play a role in working through their traumatic experiences, I have begun looking beyond milblogs to find other non-Native efforts to implement community and ceremony in my research during this year. The Mission Continues is a very good example for such efforts. Getting together with TMC representatives as well as social sciences scholars from Washington University and Lindenwood University in the St. Louis area helped me explore these veteran groups’ efforts. Their information and advise provided valuable social science perspectives for my project. I will continue to look into this and similar projects, although they are not deployed soldiers’ narratives, to look for ceremonialism and community interaction as ingredients for reintegration.