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American Indian Workshop in Leiden, NL – Poster Sessions in the Humanities
I recently returned from the American Indian Workshop, the annual meeting of scholars in Native American studies in Europe, bringing together scholars from literary and cultural studies, cultural anthropology, and history. This year’s meeting, the 35th, was held in Leiden, the Netherlands on 21-25 May. Only belatedly (embarrassing for a historian) I connected the dots when a university dignitary said during the opening “Welcome to Leiden, where it all began”: the Pilgrims spent a few years in exile in Leiden before making their trip on the Mayflower and eventually establishing Plymouth colony (apparently because they felt that their children were becoming “too Dutch”). The local museum dedicated to the Pilgrims was closed both times I went to see it – maybe I should have memorized the opening hours the first time I stood at closed doors. More lucky colleagues told me a lot about the small but very intriguing collection of furniture, clothing, and books.
After a conference at Plimoth Plantation in 2011, I have now visited several places “where it all began”; and I might also add the Canary island of La Gomera, where Columbus’s ships took water before making the long haul across the Atlantic. There is even a well in the island’s capital San Sebastian de la Gomera proclaiming that “this water baptized America.“
Back to Leiden and the AIW (I might come back to discuss my impressions of the old town in a later post) – I was curious about a new feature on the conference program. The organizers had set up a poster session in which MA-level students, but also a Dutch company and, if I’m not mistaken, NGOs presented their work. This piqued my interest because, as of now, I had heard about and seen poster sessions only in the natural sciences and social sciences, but not in the humanities. In the conferences I co-organized, we discussed the format as a way to accommodate an extraordinary number of presentation proposals but eventually decided against it. We were concerned that, particularly in literary and cultural studies, it would be impossible to express complex ideas with eye-catching visuals and that, eventually, posters would become what the German language calls a “Bleiwüste” (text-heavy; literally, a “desert of hot type”).
The posters I saw at the AIW, however, were nothing of the sort. Many presenters neatly structured their posters into research questions, short notes on methodology, data collection, and conclusions. Some included photographs from field work or from their cooperation with local Native American scholars and communities.
Most important for the presenters was that, although you do not have a lot of space to formulate your argument in complex language, you had about two and a half hours time to get in contact with your audience and discuss your work in depth. A traditional conference presentation is 15-25 minutes long and you will have only about 10-15 minutes for Q/A which does not allow for in-depth discussion. Here, you could take the time to challenge, ask, or comment, in a one-on-one discussion
without having to fear that going deep at this point will dominate the floor and discourage other comments. I enjoyed this format very much and had the impression that the presenters were glad about the opportunity for such detailed feedback. It might also have helped that the session room also hosted the birthday cake – keynote speaker Henrietta Mann turned 80 that day and was presented with a song by all participants (sung in their respective languages), and with this wonderful Dutch cake. This is how I like academia: merrily munching and chatting away!