My second monograph, titled Ceremonial Storytelling: Ritual and Narrative in Post-9/11 US Wars, has been out since early 2019. A few days ago, the term of copyright restrictions has run out and, under the “green rule” of open access publishing, the book can now be accessed online and free of charge.
The book can be downloaded here:
Here is a quick abstract from the back cover:
“US society has controversially debated civil-military relationships and war trauma since the Vietnam War. Civic activists today promote Indigenous warrior traditions as role models for non-Native veteran reintegration and health care. They particularly stress the role of ritual and narrative for civil-military negotiations of war experience and for trauma therapy. Applying a cultural-comparative lens, this book reads non-Native soldiers’ and veterans’ life writing from post-9/11 wars as «ceremonial storytelling.» It analyzes activist academic texts, «milblogs» written in the war zone, as well as «homecoming scenarios.» Soldiers’ and veterans’ interactions with civilians constitute jointly constructed, narrative civic rituals that discuss the meaning of war experience and homecoming.”
The work largely follows a cultural-studies approach with forays into Indigenous studies, (new) media studies, and psychology, as well as tying in aspects of various fields of history. As such, it also reflects on the role of digital media for future historical research.
The book is organized into four major chapters: “Narrating War: Activist Discourse and Cultural Comparison” observes how segments of the US public, particularly veterans-affairs activists and mental health specialists, discuss veteran reintegration and war trauma from a community-oriented perspective, arguing that US society should learn from close-knit communities, to provide social support for veterans and trauma survivors. They often cite Native American military traditions, especially the fact that contemporary Indigenous veterans seem to have a better chance to cope with PTSD when undergoing traditional war-related ceremonies in their communities.
The following chapter, “Milblogs as Rituals: War, Citizenship, and the Sacred“, investigates how blogs written by non-Native soldiers from the combat zone can be understood as contemporary (secular) war rituals. It argues that the blogs’ audience actively participates to the blogs and, thus, that the sequencing of posts and comments denotes a civic ritual of discussing war experience in a public forum.
In the chapter “Beyond the Call of Duty: War Experience, Relationship-Building, and Community Service,” I argue that milbloggers understand their writing as an additional form of service to their communities (e.g., how-to advice for fellow and future soldiers, or a notion of “what it’s like out there” for civilians). The chapter discusses how such a sense of service can work as ‘help to help yourself’ and can therefore be seen as a form of working through, possibly even overcoming, traumatic experience.
The final chapter, “Singing their ‘Song’: Veterans, Civilians, and the Trials of Homecoming,” asks how veterans deal with war experience after their return. Only a few of the many soldiers who blogged from deployment continue to blog once back home. This chapter, therefore, looks into other forms of narrative self-expression, such as creative writing workshops, veteran lecture projects, documentaries, and theater. This chapter also goes beyond the many references to Native American war-related traditions that are currently used by activists and psychologists, and includes the popular references to classical Greek tragedy. Many of these ancient texts were written and performed by war veterans and detail the challenges of returning home from war. Reference to these classics has been a popular form of civic engagement and professional health care regarding veterans.